31 August 2013
“Bona la, uyayibona lento?”
By: Mfundiseni Ndwalane
As soon as we entered the theatre we saw the stage had been transformed. The set was minimal; white tape was used to create a box that was open on its side furthest downstage. Framing the space along the outskirts were six chairs: two evenly spaced on each of the three sides. Lying face down, were the outlines of five bodies. This idea of healing never detached from this journey that was about to commence.
We could have gone on forever
By: Sacha Knox
Sometimes in life, we are fortunate enough to be seized, to be shaken, to be thoroughly rearranged. Fana Tshabalala’s INDUMBA was the fever from Vladislavić’s ‘Double Negative’: “Flaring with light, leaking colour from the raw edges of my hands and feet, I lay in the bath until my temperature broke. At the worst, the water was boiling around me, frothing over the lip of the bath. Afterwards I felt over exposed and paper thin…My hands were dusted with flour: I couldn’t bear the pressure of one fingertip on another”.
Ritual power moves on the stage
By: Caitlin Goulding
Fana Tshabalala is a choreographer who knows the power of art, and the 2013 Standard Bank Young Artist Award winner certainly does not shy away from it. His work, Indumba is a fantastic piece that interrogates the power of cleansing rituals and the inner voice.
To connect is to heal
By: Princess Biyela
To heal is to give birth to a new state of being. To cleanse is to restore the beauty in a being. Choreographer Fana Tshabalala, working with dancers from The Forgotten Angle Collaborative based in Johannesburg takes us on a journey of rebirth and restoration by using his latest work Indumba to heal and reconnect with the self.
29 August 2013
A call to battle
By: Samantha Daly
Abuzz with excitement, anticipation and creative energy, Durban's Elizabeth Sneddon Theatre last night welcomed dancers, choreographers and contemporary dance junkies from all corners of the globe as this year's JOMBA! Contemporary Dance Experience kicked off. 2013 marks the festival's 15th year running which, in the face of serious budget cuts and a struggle to secure funding in the international (and especially) local dance scene, is a feat and certainly something to be celebrated.
Abuzz with excitement, anticipation and creative energy, Durban's Elizabeth Sneddon Theatre last night welcomed dancers, choreographers and contemporary dance junkies from all corners of the globe as this year's JOMBA! Contemporary Dance Experience kicked off. 2013 marks the festival's 15th year running which, in the face of serious budget cuts and a struggle to secure funding in the international (and especially) local dance scene, is a feat and certainly something to be celebrated.
Unpacking the baggage of identity
By: Princess Biyela
“Our identity as African is not something to ignore” stated
Lliane Loots in her opening speech at the opening of the 15th annual JOMBA! Contemporary Dance
Experience, evoking the memory of our forgotten roots. The evening’s powerful performances B.L.E.N.D.
and The King in Exile both challenged stereotypes around identity.
When bodies and histories collide
By: Mfundiseni
Ndwalane
The stage was set,
audience members waited in anticipation to be enthralled once again as the 15th annual JOMBA! Contemporary Experience commenced last night. We were treated to
two performances, B.L.E.N.D by Desirè
Davids (South Africa) and Hélène Cathala (France) followed by Francisco
Camacho’s (Portugal) THE KING IN EXILE.
Histories, politics and memories collide on stage
By: Christiaan du Plessis
The 15th JOMBA! Contemporary Dance Experience opened with a statement on the stance of dance theatre and performance in South Africa, making it clear that cutting funding will motivate artists and critical thinkers to fight against censorship, posing the challenge to the audience: "How will you fight?".
Sharing the struggle for identity
By: Arno Wagenaar
It was a phenomenal opening for the 15th JOMBA! Contemporary Dance Experience at the Sneddon Theatre last night. From an eye-opening speech from artistic director, Lliane Loots, speaking to and creating awareness around the lack of interest in funding contemporary dance in South Africa, to the two most fascinating performances; B.L.E.N.D – choreographed and performed in collaboration by Desiré Davids (South Africa) and Hélène Cathala (France), and THE KING IN EXILE – choreographed by Francisco Camacho (Portugal).
Lliane Loots' Opening Night Speech
It is
always my great joy and delight to stand before you at the opening of
UKZN’s Centre for Creative Arts’s JOMBA! festival. It is always a
personal opportunity for me to be reminded of what my theatre guru Jerzy
Grotowski called the ‘great service of theatre’ - of being reminded that
as (what Grotowski called) ‘holy’ theatre makers and theatre practitioners
our greatest ‘gift’ is to make our work as if it were a service to our
community.
28 August 2013
15th annual JOMBA! Contemporary Dance Experience - Media Release
The Centre for Creative Arts and the University of
KwaZulu-Natal proudly present the
15th
annual JOMBA! Contemporary Dance Experience
28
August – 8 September 2013
Elizabeth
Sneddon Theatre: 7.30pm
artSPACE
(durban) Monday 2 September: 6.30pm
Tickets:
R50.00 or
R35.00 (scholars/students/pensioners)
Booking through computicket (or at venue from one hour
before)
The University of KwaZulu-Natal’s arts
gateway to Africa and the world, the Centre for Creative Arts, is proud to be presenting
its 15th annual JOMBA! Contemporary Dance Experience. This year’s festival is a delight of local
and international dance theatre that has on show the best the world has to
offer. Dancer from Holland, Switzerland, America, Portugal and France will be
gracing the JOMBA! stages alongside some of South Africa’s most cutting edge
dance makers.
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Jomba! Contemporary Dance Experience
CC JOMBA! CONTEMPORARY DANCE EXPERIENCE with photos by Val Adamson